Given to the Sea Read online

  G. P. PUTNAM’S SONS

  an imprint of Penguin Random House LLC

  375 Hudson Street

  New York, NY 10014

  Copyright © 2017 by Mindy McGinnis.

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  Library of Congress Cataloging-in-Publication Data

  Names: McGinnis, Mindy, author.

  Title: Given to the sea / Mindy McGinnis.

  Description: New York, NY : G. P. Putnam’s Sons, [2017]

  Summary: “Khosa is destined to be sacrificed to the sea and struggles to understand her destiny as the kingdom comes under attack and the ocean threatens to destroy them all”—Provided by publisher.

  Identifiers: LCCN 2016023508 | ISBN 9780399544613 (hardback)

  Subjects: | CYAC: Fantasy. | Fate and fatalism—Fiction. | Human sacrifice—Fiction.

  Kings, queens, rulers, etc.—Fiction. | Ocean—Fiction. | Islands—Fiction.

  Classification: LCC PZ7.M4784747 Giv 2017 | DDC [Fic]—dc23

  LC record available at https://lccn.loc.gov/2016023508

  Ebook ISBN 9780399544637

  This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

  Jacket art © 2017 by Cliff Nielsen

  Jacket design by Maria Fazio

  Version_1

  For Jim & Joe—I’m not dead yet.

  Contents

  Title Page

  Copyright

  Dedication

  Chapter 1: Khosa

  Chapter 2: Vincent

  Chapter 3: Dara

  Chapter 4: Witt

  Chapter 5: Khosa

  Chapter 6: Vincent

  Chapter 7: Witt

  Chapter 8: Dara

  Chapter 9: Khosa

  Chapter 10: Vincent

  Chapter 11: Dara

  Chapter 12: Vincent

  Chapter 13: Dara

  Chapter 14: Vincent

  Chapter 15: Vincent

  Chapter 16: Khosa

  Chapter 17: Khosa

  Chapter 18: Witt

  Chapter 19: Vincent

  Chapter 20: Dara

  Chapter 21: Khosa

  Chapter 22: Dara

  Chapter 23: Khosa

  Chapter 24: Khosa

  Chapter 25: Vincent

  Chapter 26: Witt

  Chapter 27: Vincent

  Chapter 28: Dara

  Chapter 29: Khosa

  Chapter 30: Vincent

  Chapter 31: Khosa

  Chapter 32: Vincent

  Chapter 33: Witt

  Chapter 34: Khosa

  Chapter 35: Dara

  Chapter 36: Vincent

  Chapter 37: Khosa

  Chapter 38: Vincent

  Chapter 39: Dara

  Chapter 40: Khosa

  Chapter 41: Witt

  Chapter 42: Vincent

  Chapter 43: Vincent

  Chapter 44: Khosa

  Chapter 45: Witt

  Chapter 46: Vincent

  Chapter 47: Khosa

  Chapter 48: Vincent

  Chapter 49: Witt

  Chapter 50: Khosa

  Chapter 51: Dara

  Chapter 52: Vincent

  Chapter 53: Dara

  Chapter 54: Witt

  Chapter 55: Khosa

  Chapter 56: Witt

  Chapter 57: Vincent

  Chapter 58: Khosa

  Chapter 59: Vincent

  Chapter 60: Vincent

  Chapter 61: Dara

  Chapter 62: Witt

  Chapter 63: Khosa

  Chapter 64: Vincent

  Chapter 65: Witt

  Chapter 66: Dara

  Chapter 67: Khosa

  Chapter 68: Vincent

  Chapter 69: Khosa

  Chapter 70: Vincent

  Chapter 71: Dara

  Chapter 72: Vincent

  Chapter 73: Witt

  Chapter 74: Vincent

  Chapter 75: Witt

  Chapter 76: Vincent

  Chapter 77: Vincent

  Chapter 78: Vincent

  Chapter 79: Witt

  Chapter 80: Dara

  Chapter 81: Vincent

  Chapter 82: Khosa

  Acknowledgments

  CHAPTER 1

  Khosa

  IT IS IN MY BLOOD.

  It is in my bone.

  It is in my brain.

  One day my body will betray me, dancing into the sea, my mind a passenger only. The water will close over my head and I will drown, my death bringing a reprieve for those who are not me. This is what I’ve been born and bred for. The food passing into my mouth, the clothes covering my body, every breath I draw—these are smaller offerings, each a promise that I will endure, bear my own cursed daughter, and then succumb.

  How that will happen I do not know. My mother suffered the touch of another at least once, long enough to fulfill her duties and bring me about. I know it was badly done. I see it in the faces of my Keepers, these people who care for me without caring. I hear the small things in their voices. They worry I will not be pleasing to the sea, that my mother and her chosen mate created something less than perfect. I understand their concern, but cannot share it. Why should I care if the tides rise again, if I am only a corpse riding the waves?

  To live aware of your own doom is no easy thing. I spend my days at lessons, my body fulfilling the expected duties, though my mind is elsewhere. The Keepers are worried that I have not prepared well, have not set my face in the appropriate response to their commands. “Happy,” for instance, is an emotion I cannot be expected to parade, but they tell me it is necessary. “Melancholy” I excel at.

  My mother and grandmother had other lessons, ones to please at table and dancing. Proper chewing, proper speaking, proper walking—only expected, of course, when we are in control of our limbs. My lessons have taken a different course, my other instructors quietly dismissed once I learned all that was expected.

  All except how to contort my stone face appropriately.

  The Keepers have tried, their emotions chasing through their faces so quickly I can’t keep up, my own trying to mirror what I see. They say to me, “Pleased,” but look nothing like it themselves, and I am easily confused on this point. So I often retreat, my mind escaping the room where I learn to mimic emotion, returning itself to some well-ordered facts absorbed from a musty book, its scent still lingering on my fingers, a source of comfort.

  Their pages follow me through the day, their words imprinted on my mind. I know the history of my land better than the Scribes, better than the royals who rule it. I can recite the names of my predecessors, from the woman who gave birth to me all the way to Medalli, one of the Three Sisters whom the sea gave back after the wave that took nearly all. Seaweed was pulled from their h
air, their locks drying as they worked alongside other survivors to rebuild what had washed away, not knowing they would be taken again, the first of the Given.

  The sea waited until the sisters had married and had children of their own before it called for them, the price of its leniency the blood of their line. For the children went too, and their children after them, the first twitches of their childhood pulling them toward the water, the final coordinated movements driving them deep into the waves, the dance of death one their kingdom deemed the will of the sea. And so it continues. Their footprints in the sand not returning, my feet now itching to follow. Medalli’s line—mine—remains strong, the other two Sisters falling short, the last names in their column females who did not produce heirs, the ink that wrote them now faded with time.

  I rub my fingers together, drawing the scent of the book pages from them as my male Keeper says, “Sad.” Sad I can perform, closing my eyes and picturing my name, Khosa, the ink slightly darker than my mother’s name before me, Sona.

  “Don’t close your eyes,” he says.

  I open them again to see my Keepers, their faces so easily read.

  Disappointment.

  CHAPTER 2

  Vincent

  I’M SORRY YOU HAVE TO WAIT, MY LORD.”

  “Not a concern,” I answer the guard, but my eyes are on my hands, the clean nails freshly clipped, the smoothness of my palms interrupted by the lines that Madda insists hold my future.

  In any kingdom other than Stille, the future of a prince wouldn’t need to be read in his hands. It would be clear in his actions, the preparations taken to ensure he sits the throne well, does his duty, leads his country. Somewhere else I would be wed already, the announcement of my own child eagerly anticipated, the girl I keep on the side politely excused, with her pockets lined for her trouble. Instead I sit outside the throne room at the age of seventeen, awaiting my turn to speak to King Gammal—my grandfather—healthy, hearty, capable. At his side, my father Prince Varrick, already gray and lined, but still sitting in the lower throne.

  I shift on the wooden bench, and the trapman next to me slides farther away, the smell of sea salt rising from his clothes. “I’m sorry, my lord. Do you need more room?”

  “More than enough room,” I insist, patting the space between us.

  He’s quiet for a moment, and the lady on the bench next to ours fills the hall with the clicking of her wooden knitting needles. One foot rests casually on the ball of coarse wool to keep it from rolling away as she works. She’s assured, content. As a citizen of Stille, she is entitled to speak to the king, and her turn will come. Eventually.

  I look back at my empty hands and the lines that Madda the Seer wrinkles her brow at. Her answers to my questions are always vague and muttered.

  “Am I right to say my lord?” the trapman asks. “Is that what you’re called?”

  The words it doesn’t matter are half formed in my throat, but I choke them back.

  The woman’s needles continue to click. Her hands are gnarled and work-worn, but her color is good, and the hat she is knitting small. For a grandchild. Or great-grandchild. They are lucky to have her. I tell myself these things every day: Stille is fortunate. Stille is healthy. Stille is strong. Years of peace and prosperity mean that the old linger and the middle-aged flourish, while the young inherit only boredom and aimlessness.

  “Just Vincent,” I say, finally answering the trapman’s question. “No title necessary.”

  “You’re of royal blood,” the woman says, not glancing up from her work. “It should not be taken lightly.”

  “No . . .” My voice fades away. I have no words to explain succinctly, only memories from my childhood when I was called the baby prince, and then the young prince, and now there’s a hesitation, a slight pause before acknowledging my rank. There is no name for the third in line, one whose hands will wither with age long before they hold the scepter.

  I’ve come to hate the blank space before my given name, the deferential glance of the servants as they search for a title that represents nothing. So I make it easier for them, and for myself.

  “Just Vincent,” I reassert. The old woman makes a disapproving noise in her throat and keeps knitting. The trapman smiles at me, his teeth even, strong, and white in a face lined with wrinkles.

  “I’m Agga.” He holds out a bent hand, gnarled from years of pulling in the crab traps, the lengthy ropes rubbing it raw. Even the trapmen don’t go into the water, letting the tides carry out the traps. His skin feels of age and the scars of work, years of absorbed salt water pressing back against the softness of my own hands.

  “How is the sea, Agga?” I ask.

  He shakes his head. “Eating the beach with hunger. We’ll be needing her that’s given to the sea, and soon.”

  “I will pass that along,” I say. I don’t add that my voice doesn’t carry in the great hall, only echoes back into my ears.

  “Here to do it myself,” Agga says, and I wonder if he followed my thought.

  “I saw when the last one was given,” the woman says. “She danced beautifully.”

  “They all have,” Agga says.

  “But their faces, they do . . . twist,” the woman adds, her own mimicking the memory, a brief mask of horror that slides off easily as she counts her stitches.

  “Do they want to go?” I ask.

  Agga shrugs. “It’s their own feet taking them. No one in Stille makes them go. We’re not the Pietra, feeding sea monsters with the flesh of their aged.”

  “No.” The woman shudders, dropping the first stitch since I’ve sat here. “We’re not the Pietra.”

  There’s laughter in the throne room. It reverberates under the closed doors, my grandfather’s hearty one underscored by my father’s, which has never ceased to produce goose bumps on my skin, even in a lifetime of hearing it.

  “I’m sorry you have to wait, my lord,” the guard says again.

  “Not a concern,” I repeat, looking back at my hands, where lifelines extend forever, marching right off the palm.

  Waiting is what I’m good at.

  CHAPTER 3

  Dara

  THE TWINS MOVE THROUGH THE FOREST, THEIR FOOTFALLS lost in the leaves, their shadows blending with the trees. Their hunting cloaks waft around them, bulky hoods resting on their shoulders. Donil hesitates a moment, his eyes catching something in the dying light of the setting sun. He steps purposely on a stick, the sharp snap gaining his sister’s attention. Dara comes to his side, her eyes not as trained at deciphering the forest floor.

  “It passed through here, headed west,” she says, her voice pitched low. She pushes leaves aside with the end of her bow. “Recently?”

  Donil smiles. “You were right to make that a question.”

  “Not recently.” Dara stabs her bow into the ground. “Then why stop?”

  “Because of that.” He indicates another sign, barely visible. Dara squats to the ground, eyes tight in concentration.

  “This one is headed east . . .” Her fingertips trail in the impression. “Is it the same creature?”

  “It is, judging by the size. I thought the farmer’s daughter was going to faint when she saw the print.”

  Dara rises, leaning her cheek against her bow. “An animal with tracks we’ve never seen before raids a Stillean flock and flees into the woods. We follow it for days on Gammal’s orders, and now it’s changed direction. So I ask again—why did we stop?”

  “Because of that,” Donil says, pointing at a third sign.

  Dara doesn’t bother to look. “Save my breath and just tell me.”

  “And waste my own?” Donil teases, but the set of his sister’s mouth tells him she’s nearing the end of her patience. “The third track points east again, and is fresh. Whatever this creature is, it passes through here often.”

  “We’ll wait, then,” Dar
a says, pulling her hood forward and lying flat on the ground near the crisscrossing tracks. Donil does the same, his shoulder touching hers, their cloaks overlapping to share heat as the sun leaves the sky.

  Dara exhales softly, a low hum, and the leaves that were softly drifting to the forest floor change direction. The twins hardly notice the first few settling on their backs, but as Dara continues her quiet call, the leaves layer on top of them, their slight weight a comfort that keeps them warm and hidden.

  “You have your uses, even if you can’t track,” Donil says.

  “You track it, I’ll kill it,” she shoots back.

  “What then?” he asks. “That creature is huge; getting it back won’t be easy. And we’ve got a full day of travel in hot sun between us and Stille. The meat will spoil before we return.”

  “No one is hungry in Stille,” Dara says, her low voice twisting the words to make it sound like a bad thing.

  “Maybe in the city proper, but perhaps the trapmen—”

  “The traps are always full.”

  “How would you know that?”

  “I listen when people talk.”

  “Then why kill something for the sake of a few sheep? You said yourself the bellies in Stille won’t be empty without them.”

  “Because Gammal asked us,” Dara says. “And because Vincent seemed concerned.”

  “Vincent . . .” Donil says their childhood friend’s name quietly. “No matter how hard you try to please him, you’ll always be Indiri, and not fit to wed.”

  “Asking me to kill something and asking me to marry him are two very different things.”

  “They are,” Donil agrees. “I’m making sure you know that.”

  “Put your teeth together and keep them that way.” She lashes out in irritation to punch his arm and dislodges half the leaves she’d called down to them. She swears in Indiri, a word that only they can understand. Dara hums again, but the sound is weaker now, and threaded with strain. The leaves that are falling drift toward them for a moment, then return to their natural course, the breeze stronger than the little magic Dara has left in her.